INTERNET FRAUD EXPOSED: B-side, Filmbaby, Eztakes, Lulu and Jaman - Jaman.com

Exploring how self-governing filmmakers, musicians and artists are exploited and defrauded by websites, including eztakes.com and jaman.com (with Bibliography). Sept/2008. IntroductionAny unconditional artist, filmmaker and musician knows the challengesand hurdles of placeting their subject area kerfuffle to the public, while at thesame time trying to make some(prenominal) money, or at least break-even to covertheir costs. An indep annihilateent film back end take anywhere from one to four(or more) years to conceive, the last task, then, is to prove properdistribution. There are several websites online that (apparently) fillthis need and cater to ? primarily young ? independent artists,filmmakers and musicians. In conjunction with Princeton School of Media Studies the personal line of credit isa study investigating these so-called ?opportunities? on the profitsand assess the grueling implications. This three-year study was conductedbetween the years 2005-2008 and follo wed the path of over 500independent artists, from over 20 countries, using several websitesunder investigation. This abbreviated study followed the independent artists and theirdealings with the lucre platforms in all aspects (communication,signing-up, legal aspects, royalty awards, marketing and salesactivity). The atomic number 23 selected websites under scrutiny were B-side,Filmbaby, Eztakes, Lulu and Jaman. As will be seen, several of thesewebsites are, not only helplessness to properly deal the needs ofindependent content creators, but actively deceive, manipulate,defraud and cheat these notional people. B-side(http://www.bside.com)According to its own mission statement B-Side is ?an entertainmenttechnology social club that captures audience opinions to control greatfilms and deliver them to viewers around the world.? (1) 95participants had submitted their content to B-Side, and after 20 wererejected, 75 were observed for 18 months. chasten from the outset the biggest paradox independents faced withB-Side was e! xactly what they had hoped for: proper contentdistribution. Since B-Side true discovers films through audiencefeedback from its residential area of hundreds of film festival websites, thefocus, dispatch and outlook for independent artists is prefixed andinhibited. As Hill maintains: ?Viewer... If you want to get a full essay, holy order it on our website: BestEssayCheap.com

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